A selection of folios from an illuminated manuscript of 17th century
Ethiopia, produced during the cultural boom, especially in painting,
brought about by the establishment of a permanent court at Gondar by the
Solomonic emperor Fasilädäs (who reigned 1632-67). The nearly 50
full-page illuminations of this particular manuscript tell the story of
the Archangel Michael who, under the patronage of Emperor Zär’a Ya’eqob,
had became the most venerated of all archangels in Ethiopia. He is
depicted undertaking a vast host of miracles and heroic feats including
saving the faithful from the burning flames of hell, healing the sick
and treading on Satan. The illustrations can also teach us about the
Ethiopia of the time. According to The Walters Art Museum,
“the minutely rendered textiles in these pictures suggest a connection
with the fashions of the Gondarine court and indicate that the painters
depicted their scriptural subjects using a visual language rooted in
contemporary culture.”
Left – Above: How Astaraniqos slept on his bed using the picture of St.
Michael as a pillow; Below: How a blacksmith toiled in making a panel
for the picture of St. Michael. Right – Above: How Satan flew away like a
raven/crow when Euphemia showed him the picture of St. Michael; Below:
How Satan came (again) looking like four women and St. Michael trod on
him.
Left – St. Michael rescues the faithful from the flames of Hell. Right – The Faithful Rescued by Saint Michael in Paradise.
The Archangel casting an evil spirit from his church.
The Archangel paying tribute to Adam.
The Archangel paying tribute to Adam.
The Archangel healing a sick woman.
The Archangel helping seafarers.
The Archangel healing a Jew.
The Archangel helping Susanna preserve her purity.
The Archangel rescuing the Three Holy Children.
The story of Qison continues.
The Archangel rescuing the child from drowning.
Courtesy Public Domain Review
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