Oscar Emmanuel Peterson (1925-2007)
Courtesy William Smith
Courtesy Paul Hoeffler
Peterson redefined the jazz trio by bringing the musicianship of all three members to the highest level. The trio with Ray Brown and Herb Ellis was, in his own words, "the most stimulating" and productive setting for public performances as well as in studio recordings. In the early 1950s, Peterson began performing with Ray Brown and Charlie Smith as the Oscar Peterson Trio. Shortly afterward the drummer Smith was replaced by guitarist Irving Ashby, formerly of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Kessel.[13] Kessel tired of touring after a year, and was succeeded by Ellis. As Ellis was white, Peterson's trios were racially integrated, a controversial move at the time that was fraught with difficulties with segregationist whites and blacks.
Oscar Peterson at the Stratford Shakespearean Festival is widely regarded as the landmark album in Peterson's career, and one of the most influential trios in jazz.[citation needed] Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding between three players.[14] All three musicians were equal contributors involved in a highly sophisticated improvisational interplay. When Ellis left the group in 1958, Peterson and Brown believed they could not adequately replace Ellis. Ellis was replaced by drummer Ed Thigpen in 1959. Brown and Thigpen worked with Peterson on his albums Night Train and Canadiana Suite. Brown and Thigpen left in 1965 and were replaced by bassist Sam Jones and drummer Louis Hayes (and later, drummer Bobby Durham). The trio performed together until 1970. In 1969 Peterson recorded Motions and Emotions, featuring orchestral arrangements of pop songs such as The Beatles' "Yesterday" and "Eleanor Rigby". In the fall of 1970, Peterson's trio released the album Tristeza on Piano. Jones and Durham left in 1970.
In the 1970s Peterson formed another trio with guitarist Pass and Niels-Henning Ørsted Pedersen on bass. This trio emulated the success of the 1950s trio with Brown and Ellis, gave acclaimed performances at numerous festivals, and made best-selling recordings, most notably The Trio, which won the 1974 Grammy for Best Jazz Performance by a Group, and the 1978 double album recorded live in Paris. In 1974 Oscar added British drummer Martin Drew, and this quartet toured and recorded extensively worldwide. Pass said in a 1976 interview: "The only guys I've heard who come close to total mastery of their instruments are Art Tatum and Peterson."
From Wiki
The personnel changed several times over the years but Oscar always fronted an exceptional trio. The one we are interested in featured Ray Brown on bass and Herb Ellis on guitar. We are happy to offer an original oil on canvas from the 1950's. The painting is 18" x 24" and is signed T. Dole. It has no damage or in-painting and is available for purchase here
Cool Jazz Art
Courtesy here
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