Oscar Emmanuel Peterson (1925-2007)
Peterson redefined the jazz trio by bringing the musicianship of all
three members to the highest level. The trio with Ray Brown and Herb
Ellis was, in his own words, "the most stimulating" and productive
setting for public performances as well as in studio recordings. In the
early 1950s, Peterson began performing with Ray Brown and Charlie Smith
as the Oscar Peterson Trio. Shortly afterward the drummer Smith was
replaced by guitarist
Irving Ashby, formerly of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Kessel.
[13]
Kessel tired of touring after a year, and was succeeded by Ellis. As
Ellis was white, Peterson's trios were racially integrated, a
controversial move at the time that was fraught with difficulties with
segregationist whites and blacks.
Oscar Peterson at the Stratford Shakespearean Festival is widely regarded as the landmark album in Peterson's career, and one of the most influential trios in jazz.
[citation needed] Their last recording,
On the Town with the Oscar Peterson Trio,
recorded live at the Town Tavern in Toronto, captured a remarkable
degree of emotional as well as musical understanding between three
players.
[14]
All three musicians were equal contributors involved in a highly
sophisticated improvisational interplay. When Ellis left the group in
1958, Peterson and Brown believed they could not adequately replace
Ellis. Ellis was replaced by drummer
Ed Thigpen in 1959. Brown and Thigpen worked with Peterson on his albums
Night Train and
Canadiana Suite. Brown and Thigpen left in 1965 and were replaced by bassist
Sam Jones and drummer
Louis Hayes (and later, drummer
Bobby Durham). The trio performed together until 1970. In 1969 Peterson recorded
Motions and Emotions, featuring orchestral arrangements of pop songs such as
The Beatles' "
Yesterday" and "
Eleanor Rigby". In the fall of 1970, Peterson's trio released the album
Tristeza on Piano. Jones and Durham left in 1970.
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In the 1970s Peterson formed another trio with guitarist Pass and
Niels-Henning Ørsted Pedersen
on bass. This trio emulated the success of the 1950s trio with Brown
and Ellis, gave acclaimed performances at numerous festivals, and made
best-selling recordings, most notably
The Trio, which won the
1974 Grammy for Best Jazz Performance by a Group, and the 1978 double
album recorded live in Paris. In 1974 Oscar added British drummer Martin
Drew, and this quartet toured and recorded extensively worldwide. Pass
said in a 1976 interview: "The only guys I've heard who come close to
total mastery of their instruments are Art Tatum and Peterson."
The personnel changed several times over the years but Oscar always fronted an exceptional trio. The one we are interested in featured
Ray Brown on bass and
Herb Ellis on guitar. We are happy to offer an original oil on canvas from the 1950's. The painting is 18" x 24" and is signed T. Dole. It has no damage or in-painting and is available for purchase
here
Cool Jazz Art
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