Harlem Renaissance ca. 1930
Luce Center Label
Palmer Hayden was known for his paintings of the African American scene. In a 1969 interview he described
The Janitor Who Paints,
created around 1930, as "a sort of protest painting" of his own
economic and social standing as well as that of his fellow African
Americans. Hayden said his friend Cloyd Boykin, an artist who, like
Hayden, had supported himself as a janitor, inspired this piece: "I
painted it because no one called Boykin the artist. They called him the
janitor." Details within the cramped apartment—the duster and the
trashcan, for example—point to the janitor's profession; the figure's
dapper clothes and beret, much like those Hayden himself wore, point to
his artistic pursuits. Hayden's use of perspective was informed by
modern art practices, which favored abstraction and simplified forms. He
originally exaggerated the figure's facial features, which many of his
contemporaries criticized as African American caricatures, but later
altered the painting. He maintained the janitor as the protagonist as it
represented larger civil rights issues within the African American
community. (John Ott, "Labored Stereotypes: Palmer Hayden's 'The Janitor
Who Paints,'"
American Art 22, no.1, Spring 2008)
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